![]() ![]() One of the more popular choices that I’ll discuss later is a blind contour drawing of your hand. When it comes to a common object, stick to simple things like a flower vase, a lamp, or a chair. Flowers make a great example since they are simple shapes with repetitive patterns from the flower petals.įaces are also simple since you can easily visualize stand-out details such as eyes, nose, face shape, and mouth. If you’re just starting out and haven’t done this exercise before, stick with simple objects like flowers, faces, or common objects. Some ideas that are perfect for drawing using the blind contour method will range from very simple objects to complicated shapes. This was nearly 100 years ago, and the concept was welcomed by the artist community in NYC. Ironically, these exercises were popularized by the artist Kimon Nicolaides. Sure, it will look messy and unorganized at first, but with a few instructional tips, you’ll learn the right way. I have posted a couple of drawings below for you to see as an example.The whole point of blind contour drawing is to build a stronger connection between your eyes and how that information is translated to your hand. I feel like I am starting to accurately see the model during each session. It is almost like I have a heightened awareness of the model’s surface. I notice my drawing contains many more curves and bumps when I feel like the pencil is touching the model. I can tell when I have lost that feeling, too. I have also learned that it is possible to really feel like the pencil is touching the surface of the model. I highly recommend you try drawing with your non dominant hand next time. Switching hands has really helped me slow down and feel my way around the contour of the model. I decided to switch to my non dominant hand for drawing every other session. ![]() I was trying to draw to fast and I was not benefiting from the exercise. I felt, in the beginning, that this exercise was dreadfully boring for me. I am finally learning to have patience during the blind contour exercises. I am nearing the end of Schedule One and I have noticed some things about myself. Look around your environment and you will be surprised to find that a model is always available for you. I have successfully used various toys and figurines in a still life for blind contour drawing. Plants, trees, and sleeping animals would also be a good choice for this exercise. The human body is a perfect model for blind contour drawing. The exercise should be completed using a model or object from real life. Stop drawing if you lose that feeling and don’t continue until the feeling returns to you. Feel your pencil move along the contour of the model at all times. The last guideline is that you should imagine the pencil is really touching the model. The second guideline is draw the contour very slowly in a steady, continuous line without lifting the pencil or looking at the paper. You may glance at the paper to place an internal feature, but once you begin to draw it, do not look down, but follow the same procedure as for the outline. The first guideline is keep your eyes on the outline of the model or object at all times. ![]() ![]() Kimon Nicolaides recommends that you follow a few guidelines to get the most benefits from the exercise. It will force the artistic side of your brain, the right side, to take control of the pencil as you draw on the paper. Blind contour drawing trains your eye to draw what it really sees (right brain process) rather than what it thinks it sees (left brain process). The exercise will develop your observational skills and improve your hand-eye coordination. Once again it is important that you draw for the total time as instructed for each session.īlind contour is the practice of drawing a model or object without looking at the paper. The use of a live model is highly recommended in the book, but you can make some clever substitutions for each exercise. The time spent on this exercise will amount to almost nine hours for this schedule. Blind contour drawing is the second focus in Schedule One of Kimon Nicolaides ‘The Natural Way to Draw’. ![]()
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